Tuesday 5 April 2016

Rimzim Dadu AIFW AW16 Review



Rimzim Dadu's show was truly special. Upon entering the show area, we were given a little card and told to follow the instructions. At first I was like 'huh'? Then I saw, on stage, two rows filled with karigars busy on their machines. The Indian version of the 'les petites mains' i.e. what the French call their haute couture artisans. Rimzim wanted the audience to touch and feel the fabrics and get a real feel of what goes on behind the scenes. One exhibit, named 'The Ellipsis' showed a karigar use small specs of hand cut fabrics to make 3D dots, another exhibit showed very thin wire cords being stitched on to a fabric. A third exhibit included an artisan doing some more intricate 3D embroidery applique using tiny pieces of fabric to form branches, leaves and flowers with little birds on them.

The collection consisted of easy to wear separates. There were feminine chiffon dresses and sheer blouses with embroidered paisleys. Sporty racer back tank tops and dresses in faux leather were absolutely beautiful because of the detailing. I visited the stalls to get a better look at the work. Some of the pieces were made from intricately cut faux leather that formed sort of a pattern with stitches running through the holes. Another round necked, sporty dress was made from tiny rectangular leather pieces stitched together. Finally, came the wire cord fabric ensembles and they stole the show. I never thought something so technical could actually be so wearable. They came in the form of structured tops, dresses, a maxi skirt and a sari pallu all with this liquid effect. And all worthy of being displayed in a museum.

Kudos to you, Rimzim and your petites mains for this outstanding and memorable collection.


Image via vogue.in

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